The Museum chronicles the history of Teignmouth and Shaldon and describes the interaction of the town and the sea.
Admiral Pellew, the first Viscount Exmouth, lived at Bitton House. There is a display on the top floor which contains many of his artefacts as well as a portrait of the great man himself and an audio recording giving details of the events of the Battle of Algiers.
Taking a slightly different slant, and a much more up-to-date look, at the sea, our new display for this season is all about "Beside the Seaside". We have a beautiful poster on loan to the museum which shows Teignmouth and Shaldon's Ness lit up at night time with young people of the day (or night) having a dip in the sea under the dark sky.
This figurehead is believed to have belonged to the sailing ship "Hero", which was wrecked off Teignmouth in 1864.
This is one of the many artefacts on the ground floor which displays the Maritime history of Teignmouth and Shaldon.
More Shipwrecks of course have occurre
d in Lyme Bay.
The Church Rocks Wreck is famous locally and its fame has spread.
The picture here shows various Church Rocks Wreck artefacts in a display case
Despite 20 years of historical and archaeological research, the origins and class of vessel on the Church Rocks Wreck site remains a mystery, although it certainly dates from the 16th Century.

These artefacts are an encrusted cannon ball and pewter mug and glass bottle top all of which are on display in the Museum.
In 1975 a 13 year old boy, Simon Burton, found a Venetian saker gun in shallow water about 150 metres off the Eastcliffe shore of Teignmouth. The ship appears to have been two-masted, carvel built of some 100 to 200 tons and not
dissimilar to the small, fast, commuinications and service vessels that accompanied the Spanish Armada in 1805
This picture shows more Church Rocks Wreck artefacts these being a bronze steelyard weight and a branding seal.

This shows one of six cannon raised at the Church Rocks Wreck. This is a bronze minxion cannon bearing the crest and initials of the Venetian foundry of Sigismundo Alberg.

This copper caulking pitch pot is also one of the artefacts of the Church Rocks Wreck.
Channel 4's Time Team was interested and got involved in 1995 by televising their search of the sea bed not too far off the Teignmouth beach.
The museum also has amongst
many other artefacts a beautiful 
snuff box which has been given to us by the descendents of Lord Nelson
Of course we mustn't forget the incredible disappearance of Donald Crowhurst who set sail in the Teignmouth Electron - a film having been made of the strange happenings of that time. However, the facts of this voyage are still shrouded in mystery.


orld-wide.
The Newfoundland Cod Trade
Sir Humphrey Gilbert landed at, what later became, St. Johns in Newfoundland in the year 1583 and claimed 600 miles in any direction for the Crown. This, the oldest of Britain's colonies, and the seafaring men from Devon, were to become closely linked because of the rich cod-banks to be found off the coast of Newfoundland.
Teignmouth, Shaldon and Ringmore have a rich maritime history and were well placed to take advantage of this rich abundance of fish. The fishermen would spend six months of the year braving the storms of the North Atlantic to fish the protein-rich cod banks off Newfoundland. They left Devon in spring, often carrying passengers, or cargoes of goods, and returned home in either October or November with their dried and salted cod, for sale, either at the home markets, or to trade at European ports. It was not unusual for these fishermen to have second homes, and families, in Newfoundland. The close links forged between these Devon villages and Newfoundland are there to be seen in records from these times, in such names as Codner, Warren, Bartlett, Bulley and Squarey, to name but a few.
The cod fishing trade continued until the end of the nineteenth century. By the early 1800s there were about 20,000 settlers living in Newfoundland, and much of the cod fishing was carried out, and consumed, by them. There was, however, still plenty for the local shipowners in Teignmouth and Shaldon. While elsewhere interest in the cod industry was in decline by the time of the Napoleonic wars, Teignmouth's actually increased. In 1820 there were 35 ships engaged in the trade compared to 20 in 1775.
The work was hard but reward-rich - for some. The drying and salting of the cod in Newfoundland was seasonal work relying mostly on a transient workforce. Responsibility for families left behind fell to the women. Ships and their crew suffered. They not only had to brave the vagaries of the North Atlantic but also of waters closer to home. The Maria with its consignment of salt was driven onto rocks when leaving Teignmouth harbour. Its owners were Thomas Bulley & Sons of Shaldon.
If you want to know more about this lucrative connection between the villages of the Teign estuary and Newfoundland, come and visit us at the Museum.
A Swivel Gun, made of bronze recovered from a 16th Century wreck at Church Rocks on display in the Burton Room. The gun was found already loaded and primed.
Over the years, many fascinating objects have been found including bronze cannon and shot, a cooking pot with animal bones found near it, a collection of iron chains, copper pots, pieces of pottery and the Elizabethan version of a petrol bomb.
Thomas Luny (1759 - 1837), renowned Marine Artist of Teignmouth.
In his younger days Luny was a pupil of Francis Holman, a major artist of his time, who lived and worked in London. After Holman's death Thomas Luny tried to mimic his teacher and his early works reflect that fact. In the following years Luny developed his own style and this is very obvious in his later works.
In his years in Teignmouth he found inspiration for his paintings and is remembered as a famous maritime artist. He had a love of the sea and of ships. The Teignmouth beach and Shaldon's Ness feature greatly in a large number of his paintings. Luny built a house in Old Market Street, now Teign Street, in 1808 where he lived and worked. This house had a garden which ran down to the harbour, giving him fine views of the ships coming into the river.
Thomas Luny was buried in St James'Churchyard, the tomb being shared with his half-brother Captain James Wallace.
Some of Luny's work can be viewed in the Bolton Room on the top floor of the Museum.
The World War II Collection is situated on the first floor of the Museum.